26.3.08

Your Pretty Face Is Going To Hell


Thought I'd kick off what will inevitably be a series of fatuous reflections on my favourite album covers with a dissertation on Raw Power by Iggy and the Stooges.

The cover photo was taken by Mick Rock, famous for his images of Bowie, Syd Barrett, and Lou Reed.

The first time I encountered this record was through a Woolworth's advert sometime in the 1970's or 80's.  It featured a family Christmas scene, the kids were ripping open their gifts, and a wholesome looking 15 year old unwrapped an LP sized package to reveal James Osterberg and his dead-eyed gaze, leaning on the mic stand in what is now an iconic pose.  This was perhaps 10 years after the LP's original release, so we can only assume that Woolworth's advertising department employed someone  who cared rather more about degenerate rock n roll than they did about shifting units for Woolies.  I went through a phase of assuming that I had imagined this advert until meeting Clive, who had the same memory. Unless we are both deluded - a possibility - then it must have happened...

Raw Power was something of a comeback for Iggy, who had crawled away bleeding from the original Stooges with no record deal and a satchel full of mental health issues and drug problems.  Bowie produced the LP in London, and the famously abrasive, slashing guitar was played by James Williamson - one of rock's great lost architects.

Iggy looks as though he wants to steal your drugs and fuck your sister, and let's face it kids - this is what we want from our rock stars.  Since rock and roll became a career choice, we are stuck with the dreary likes of Chris Martin and James Blunt, and Iggy himself heads off for the panto circuit with the reformed Stooges.  We shall not see his like again.

1.3.08

You Didn't Ask About The Broken Family Band

The Helster and I have booked tickets to the Broken Family Band in Cambridge in April, it's a Friday night and we'll stay for the weekend. It's not often that we both get excited about the same band, but we're really looking forward to this.

Monday sees a clutch of interesting new releases this year, for me anyway. There's the new Nick Cave, Billy Bragg, and Malcolm Middleton. The Cave record is getting raves everywhere, and I'm intrigued to see if he can improve on Abattoir Blues. have to say I wasn't immediately won over by the single.

The Middleton LP is a mini album of a few originals and three cover versions, including an old Madonna tune. It will be worth getting hold of just for Blue Plastic Bags, and Total Belief, two new songs which he was working on when I saw him last year. I know he's a miserable sod, but there's a deep vein of self deprecating humour in the lyrics, and he's a hugely under-rated guitarist. He's coming to Nottingham in April, solo I think, another gig to look forward to.

I've been delving into Malc's history and listening to some Arab Strap too. Those are some grubby records...